Joy! Editing at last. In fact a whole day of it. In the morning we looked at how to make a DVD (something which once took me a long sleepless night to achieve but now I can do in five minutes) and in the afternoon we were given some fourth year footage to mess about with and compile a scene. I wasn’t too impressed with the quality of the filming or the writing to be honest but the acting was pretty good.
In Screenwriting we were concerned with Visual Storytelling which turned out to be a sort of theme for the week. In the new three minute scripts we are working on the key is to communicate the story as simply and visually as possible, with little or no dialogue and Andy had asked us to think about how dialogue changed cinema for this week also. When I imagine scenes in films I am writing I tend to think in terms of characters speaking to each other, rather than how it could be told visually. The trick is knowing when it is appropriate to tell something visually and when it is in fact necessary for the characters to ‘talk’.
Another Production Meeting on Wednesday, where I took the opportunity to pitch an idea which was relatively well received. It’s rather ironic that we call it a collaborative opportunity but as long as we sit there reminding each other that “no-one is in charge, it’s collaborative” nothing ever gets done. However we managed to make some decisions and I am really excited about what I can learn from my group and what we might be able to achieve together. It inspires people from both programmes to explore their own potential in order to impress others and achieve greater things for and with the group. Personally I can’t wait until we can get started on something and test our own abilities.
Wednesday was the big debate on whether Sound ruined cinema. Come to think of it an actual debate, like the Democrat/Republican debate we did for Screenwriting, might have been a more engaging method of replacing the essay which would normally have been assigned at this point. As it turned out that is kind of what we did as a class, except that no-one was really on any particular side. We did however, seem to conclude that Sound has not ruined cinema and it was a necessary development, though not as necessary as editing. It seems to me, particularly when reading a screenplay, that good dialogue can in fact speed up the story much more effectively than visuals can. I have heard that script readers will often skip over huge passages of action and read the dialogue instead; so it is an important tool to master. Andy casually mentioned afterwards that the debate had been an assessment and that we’d all passed, which was rather relieving. The rest of the class was spent moodling away in our groups in preparation for the closing date of our Marketing Assignment.
On Thursday morning we had group tutorials with Andy to ensure we were all happy with our assignments, which we were. Following this we spent almost three hours completing our summative statement and posting it onto Moodle which definitely should not have taken so long. However I think it is fair to lay the blame on the distraction caused by the location – we were attempting to do it in the Production Office – and a certain person, who I shan’t reveal (*cough* Steven Ferguson *cough*).
There’s nothing like a good musical to brighten the spirit on a Friday morning. Singin’ in the Rain was a fantastic display of movie magic combined with Vaudeville energy and American sentiment. I confess I thoroughly enjoyed every toe-tapping, knee-slapping, finger-snapping moment of it and of course, before I run away with my emotions on the subject, it was also a brilliant film technically. I was slightly worried to begin with that it would be about Don Lockwood’s rise to fame but the flashback turned out to be, instead, only a short funny sequence which set the tone and propelled the movie on its way. I did notice that for a musical there was a relatively small number of songs and a good deal of story. Unfortunately with many more modern musicals it is the other way round and the songs slow the plot with painful predictability. In Singin’ in the Rain they were woven quite neatly into the story and I never found myself thinking, “Oh no, here comes another song”. Ultimately it was a fine feel-good film and it got me in the mood to do some dancing for Gavin and Charlotte’s music video later that day.
It’s hard to believe we’re half-way through the term already. Ah well, time flies when there is much fun being had.
Saturday, 14 February 2009
Saturday, 7 February 2009
Week 4 - You had a Droch Latha?
I am loathe to admit that I have nothing more positive to relate, to follow the perhaps rather negative impression created by my comments last week, with respect to this Monday’s Sound class. Perhaps the only memorable product of that afternoon was the first few lines of a song for Simon, composed by Gavin and myself, which I will refrain from including here so as to maintain a shred of professional loyalty. After all, Simon has a lot to offer and I understand that there is little point in moving on until everyone in the class is comfortable with the basics and therefore at the same level.
Screenwriting was uncharacteristically tame this week. We heard all the new three-minute premises and then decided on two for the whole class to choose and write a script from. Whilst we were beginning this process – finding external character goals and internal character needs – Richard gave saw us individually to provide feedback on our previous three-minute screenplays; which I have been longing for ever since we handed them in. So it proved to be rather an anti-climax. It turned out that my analysis of my own work was in one accord with Richard’s criticisms and neither of us was entirely certain whether it was worth developing further and yet neither did we want to give it up entirely…. In other words; nothing new. Still, I can have another shot with this new premise and see what happens. I think my goal should be to make writing a discipline. If I expect the quality of my writing to improve then I must schedule in the time to practise, whether we have a script for Richard or not. Surely if I was constantly and militantly writing I would have to eventually produce something which was not just okay, but good; or even great.
Wednesday began a bit earlier for me than usual with an MER Meeting which went fine, even with the absence of Adam. This was followed by an extremely brief Programme Meeting with poor Andy holding the fort as the only tutor in the building! Then we were in class considering whether Television is the new cinema. I’ve thought for a while that cinema has lost a lot of creativity and originality. Hollywood seems only to churn out remakes, sequels, films based on books, films based on comics, films based on TV series… stories that have been tried and they assume will already have an audience but nothing new; nothing daring, nothing brave. Cinema will always be a unique, social experience so in that sense I don’t think TV can ever replace it but in terms of ingenuity and pioneering it seems like there may be more interesting things to see from the sitting room couch than at the pictures.
The third instalment of The History of Cinema was delivered half by Andy, with insight into the emergence of the role of Director, and half by Martin Scorsese in an interesting documentary called The Director as Illusionist. This was really quite interesting and some of the films he talked about were quite new to me so I learned a lot from it. Also, I think because it was a personal journey from a great director’s point of view it added another dimension to it which made it more captivating. Andy finished off with a brief foretaste of German Expressionism Cinema, to whet our appetite for what is to come next year, and posed the question: “Was sound necessary for cinema to develop, or has it ruined the art form?” I’m assuming that ‘sound’ means, more specifically, dialogue and I’m pretty sure I know where I stand in response to this. However, we’ll be discussing it next week so I’ll wait until then to solidify my opinion.
Sunrise was a pleasant surprise. It looked like it was going to be the standard ‘cheating-husband’ story but in fact took an unexpected turn and became one of the most charming romances I’ve ever seen. It is strange that a film, which was so clearly a love story, would be constantly showing off with innovative special effects and also a unique structure whereby everything is sorted by half-way through the film. In fact the entire middle section was a glorious revel in the reawakened passion between two lovers where nothing is forcing them apart and the protagonist meets no obstacles. It was beautiful, it was a masterpiece, it was refreshing, and it was silent! Not a word spoken and yet far from failing to engage it produced, with the skilful marriage of images and music, what can only be described as magic.
I missed a Sound class on Friday afternoon so that I could travel up to Inverness for the Awards Ceremony of MG Alba’s FilmG competition, where my short film Droch Latha? (watch here: http://www.youtube.com/watch?v=k2x22J1Sw74) was shortlisted for Best Performance. Unfortunately I didn’t win anything but it was an enjoyable event, a worthwhile experience and most of all a kick up the butt of my complacency to rekindle the passion and get me eager to make more (better!) films.
Screenwriting was uncharacteristically tame this week. We heard all the new three-minute premises and then decided on two for the whole class to choose and write a script from. Whilst we were beginning this process – finding external character goals and internal character needs – Richard gave saw us individually to provide feedback on our previous three-minute screenplays; which I have been longing for ever since we handed them in. So it proved to be rather an anti-climax. It turned out that my analysis of my own work was in one accord with Richard’s criticisms and neither of us was entirely certain whether it was worth developing further and yet neither did we want to give it up entirely…. In other words; nothing new. Still, I can have another shot with this new premise and see what happens. I think my goal should be to make writing a discipline. If I expect the quality of my writing to improve then I must schedule in the time to practise, whether we have a script for Richard or not. Surely if I was constantly and militantly writing I would have to eventually produce something which was not just okay, but good; or even great.
Wednesday began a bit earlier for me than usual with an MER Meeting which went fine, even with the absence of Adam. This was followed by an extremely brief Programme Meeting with poor Andy holding the fort as the only tutor in the building! Then we were in class considering whether Television is the new cinema. I’ve thought for a while that cinema has lost a lot of creativity and originality. Hollywood seems only to churn out remakes, sequels, films based on books, films based on comics, films based on TV series… stories that have been tried and they assume will already have an audience but nothing new; nothing daring, nothing brave. Cinema will always be a unique, social experience so in that sense I don’t think TV can ever replace it but in terms of ingenuity and pioneering it seems like there may be more interesting things to see from the sitting room couch than at the pictures.
The third instalment of The History of Cinema was delivered half by Andy, with insight into the emergence of the role of Director, and half by Martin Scorsese in an interesting documentary called The Director as Illusionist. This was really quite interesting and some of the films he talked about were quite new to me so I learned a lot from it. Also, I think because it was a personal journey from a great director’s point of view it added another dimension to it which made it more captivating. Andy finished off with a brief foretaste of German Expressionism Cinema, to whet our appetite for what is to come next year, and posed the question: “Was sound necessary for cinema to develop, or has it ruined the art form?” I’m assuming that ‘sound’ means, more specifically, dialogue and I’m pretty sure I know where I stand in response to this. However, we’ll be discussing it next week so I’ll wait until then to solidify my opinion.
Sunrise was a pleasant surprise. It looked like it was going to be the standard ‘cheating-husband’ story but in fact took an unexpected turn and became one of the most charming romances I’ve ever seen. It is strange that a film, which was so clearly a love story, would be constantly showing off with innovative special effects and also a unique structure whereby everything is sorted by half-way through the film. In fact the entire middle section was a glorious revel in the reawakened passion between two lovers where nothing is forcing them apart and the protagonist meets no obstacles. It was beautiful, it was a masterpiece, it was refreshing, and it was silent! Not a word spoken and yet far from failing to engage it produced, with the skilful marriage of images and music, what can only be described as magic.
I missed a Sound class on Friday afternoon so that I could travel up to Inverness for the Awards Ceremony of MG Alba’s FilmG competition, where my short film Droch Latha? (watch here: http://www.youtube.com/watch?v=k2x22J1Sw74) was shortlisted for Best Performance. Unfortunately I didn’t win anything but it was an enjoyable event, a worthwhile experience and most of all a kick up the butt of my complacency to rekindle the passion and get me eager to make more (better!) films.
Saturday, 31 January 2009
Week 3 - Never Trust the Sound Guy
I seem to be traversing a creative wasteland at present. My imagination has dwindled to a lifeless flicker and, despite ample available time (we had five half-days this week), the creative impulse has turned rather stale. Perhaps Simon killed it. There was, it has to be said, very little to get excited about during that class (except the thievery of Murdo’s keys!) though I did develop a new found respect for the old ‘Attenuation’ since it is, despite any preconceptions I may have had, and beyond all sense or reason, the FIRST control to receive the Input Signal. It precedes even the Master Fader and that is honour indeed… please forgive my sarcasm; as I said, my mind is marginally and momentarily mouldy.
More therapy in Richard’s class which involved allowing our deepest darkest secrets to be read out anonymously. Although it is perhaps interesting to uncover some human debris on occasion I don’t think it is either necessary or helpful, unless as a way of letting go and forgetting. However, I am given to understand that most writers would encourage unearthing the hidden emotions and buried experiences and use these as integral sources. Andrew Davies (Novelist/Screenwriter) said:
“The most embarrassing and shameful experiences of your life; the things you can hardly bear to think about, let alone tell anyone else; your secret dreams, your darkest desires: these are your core material.”
I completely disagree. We have all performed deeds that we regret, said things that we shouldn’t have, thought or felt things that we would never reveal but this is not Truth; it is sin. Yet when writers engage with this material, use this material, wallow in it even, they produce works that, yes, contain something universally human, something everyone can relate to, something which endures… but again, people watch and are moved and can understand not because it is human truth, but because it is human nature: we are sinners, we are born into sin and we all have sinned. I’m really not trying to paint a depressing picture of humanity just for the sake of it. Often the most uplifting of films are those that contain such ruthlessly realistic representations of the evil in this life. But we must always question when it comes to that rude confession of humanity: are we wallowing in it; or are we showing the world that it is wrong.
Kim Miller made her first appearance on Wednesday afternoon, rather appropriately, in our class on Coronation Street. I admit I rather enjoyed our ‘Corrie Party’ on Monday night; not because I enjoyed watching it (I find it rather depressing actually) but because there was something so out of place about a group of young adults getting together to watch Coronation Street. It had that warm glow about it that only comes with happy get-together appointment viewing! Anyway, we discussed it in class, I tried to maintain a grasp on just who everybody was, and I got even more insight into the planning and choreography which goes into the Serial Drama.
A substantial and productive class on Thursday morning which mostly involved just watching a documentary called The Cutting Edge, which was extremely well made, very informative and even quite inspiring. I’ve always enjoyed editing (the little I’ve done) but the only problem is that I don’t like sitting down, staring at a computer for long periods of time except perhaps once in a while if necessary. Generally I’m an active sort of person who likes to be physically doing something or tangibly getting somewhere. We also briefly touched on the subject of Stars (Andy produced a big telescope and we marvelled at the beauty of the night sky) and we all had to name our favourite Star; mine being Charlie Chaplin.
So I was delighted to discover that Friday morning’s screening was City Lights (which tend to obstruct the stars actually) by the one and only Charles Chaplin. I didn’t enjoy it as much as The Kid or The Gold Rush, it didn’t seem quite as funny though it was hilarious at some parts, but perhaps that was a mixture of my mood at the time and a slight complacency on Chaplin’s part. Technically I thought it was a brilliant film with noticeably sophisticated photography and on one occasion I spotted the use of a tracking shot which was an obvious step away from Chaplin’s usual static camera style.
Abigail’s class was cancelled so that was it for this week and I was left to reflect on the apparent wasteland I’d been travelling through. Wasteland or not it seems there have been some very interesting rocks and I have a feeling that there’s an oasis not far off…
More therapy in Richard’s class which involved allowing our deepest darkest secrets to be read out anonymously. Although it is perhaps interesting to uncover some human debris on occasion I don’t think it is either necessary or helpful, unless as a way of letting go and forgetting. However, I am given to understand that most writers would encourage unearthing the hidden emotions and buried experiences and use these as integral sources. Andrew Davies (Novelist/Screenwriter) said:
“The most embarrassing and shameful experiences of your life; the things you can hardly bear to think about, let alone tell anyone else; your secret dreams, your darkest desires: these are your core material.”
I completely disagree. We have all performed deeds that we regret, said things that we shouldn’t have, thought or felt things that we would never reveal but this is not Truth; it is sin. Yet when writers engage with this material, use this material, wallow in it even, they produce works that, yes, contain something universally human, something everyone can relate to, something which endures… but again, people watch and are moved and can understand not because it is human truth, but because it is human nature: we are sinners, we are born into sin and we all have sinned. I’m really not trying to paint a depressing picture of humanity just for the sake of it. Often the most uplifting of films are those that contain such ruthlessly realistic representations of the evil in this life. But we must always question when it comes to that rude confession of humanity: are we wallowing in it; or are we showing the world that it is wrong.
Kim Miller made her first appearance on Wednesday afternoon, rather appropriately, in our class on Coronation Street. I admit I rather enjoyed our ‘Corrie Party’ on Monday night; not because I enjoyed watching it (I find it rather depressing actually) but because there was something so out of place about a group of young adults getting together to watch Coronation Street. It had that warm glow about it that only comes with happy get-together appointment viewing! Anyway, we discussed it in class, I tried to maintain a grasp on just who everybody was, and I got even more insight into the planning and choreography which goes into the Serial Drama.
A substantial and productive class on Thursday morning which mostly involved just watching a documentary called The Cutting Edge, which was extremely well made, very informative and even quite inspiring. I’ve always enjoyed editing (the little I’ve done) but the only problem is that I don’t like sitting down, staring at a computer for long periods of time except perhaps once in a while if necessary. Generally I’m an active sort of person who likes to be physically doing something or tangibly getting somewhere. We also briefly touched on the subject of Stars (Andy produced a big telescope and we marvelled at the beauty of the night sky) and we all had to name our favourite Star; mine being Charlie Chaplin.
So I was delighted to discover that Friday morning’s screening was City Lights (which tend to obstruct the stars actually) by the one and only Charles Chaplin. I didn’t enjoy it as much as The Kid or The Gold Rush, it didn’t seem quite as funny though it was hilarious at some parts, but perhaps that was a mixture of my mood at the time and a slight complacency on Chaplin’s part. Technically I thought it was a brilliant film with noticeably sophisticated photography and on one occasion I spotted the use of a tracking shot which was an obvious step away from Chaplin’s usual static camera style.
Abigail’s class was cancelled so that was it for this week and I was left to reflect on the apparent wasteland I’d been travelling through. Wasteland or not it seems there have been some very interesting rocks and I have a feeling that there’s an oasis not far off…
Tuesday, 27 January 2009
Coronation Street 2
The main focus seemed to be on Maria's storyline. No-one believed Tony murdered her husband, Carla phones the police, Maria speaks to a Police Detective who is completely unhelpful, she then hits Tony with her car and is taken to hospital while Carla states it was deliberate, Maria's baby is unharmed but the Detective suggests she may be charged for attempted murder.
Other stories seen are the conflict between Sophie and Rosie, Peter's drink problem landing him in rehab, Tina having problems with Gary and her boyfriend, and Ken meeting Martha, the woman on the barge.
Hooks:
1st Advert break - Carla phones the police
Episode break - Maria hits Tony and crashes
2nd Advert break - Ken meets Martha
Episode end - Maria may be charged for attempted murder
Character Status:
Maria - widowed, seeking justice
Ken - married, tired and looking for release
Sophie - single girl with a crush
Carla - married, vengeful
Tony - married, guilty murderer
Other stories seen are the conflict between Sophie and Rosie, Peter's drink problem landing him in rehab, Tina having problems with Gary and her boyfriend, and Ken meeting Martha, the woman on the barge.
Hooks:
1st Advert break - Carla phones the police
Episode break - Maria hits Tony and crashes
2nd Advert break - Ken meets Martha
Episode end - Maria may be charged for attempted murder
Character Status:
Maria - widowed, seeking justice
Ken - married, tired and looking for release
Sophie - single girl with a crush
Carla - married, vengeful
Tony - married, guilty murderer
Saturday, 24 January 2009
Week 2 – L’Amour des trois oranges
No editing class on Monday morning (what’s new!) however those of us shooting the opera (Prokofiev’s ‘The Love for Three Oranges’) met up with Ray at nine to discuss times. So, in other words, I was forced to come in for nine in the morning (again!) to be told what I already knew. It’s good for me…
We learnt the basics of three-point lighting with Ray in the afternoon and were left to experiment ourselves with different set-ups which was both enjoyable and encouraging.
A unique and interesting exercise took up the bulk of our Screenwriting class on Tuesday. In essence a glorified version of the party game ‘Consequences’, it involved filling in one piece of information on twelve different story outlines and passing them on so that everyone was contributing to every story. What this did very well was highlight the importance of having a clear, strong internal character need or emotional flaw (i.e. theme) and a unique but useable external character goal. If these are well defined and interesting the rest of the story should flow relatively easily.
At lunchtime on Wednesday we had our first Production meeting highlighting the exciting plans for DFTV and TPA. All we really need is a fresh, inspiring idea for a short but challenging project that we could join forces to work on and allow some talent from both courses to collide. I’m still thinking…
Andy gave us a very detailed deconstruction of Coronation Street which was very enlightening as to how a miniature world is kept alive over such a period of time. What with Richard’s influence it’s rather easy to forget that there are other types of writing than film; and obviously writing for soaps (or Serial Drama) is very different.
We had a quick look at using Moodle, with Andy on Thursday morning and were officially given our assignment. I’m not much of a fan of Virtual Learning Environments, I’d much prefer to sit down and chat face-to-face but I suppose it is something I should make an effort to adapt to. We continued our classes on The History of Cinema by analysing the ‘Odessa Step Sequence’ in Battleship Potemkin and what amazed me most was how much I hadn’t noticed of how good the editing was on my first viewing simply because it is so similar to todays accepted method; a testament to Russian cinema of that time.
Later I had a tutorial with Adam about my TV Drama idea. All I really needed to know was; is it worth developing? I got the answer to that and much more so I can go ahead with confidence and try to make something of it.
Nosferatu, my first vampire film and my first taste of 1920s German cinema, was actually quite good fun. After all the warnings it turned out to be rather tame and, rather disappointingly, not scary. It seems to be a recurring problem with silent films that the score, towards the end, becomes wearying. Nosferatu was no exception and at one point I thought I would go mad because the score was so piercing and repetitive. Nevertheless there were some parts I enjoyed very much; like the scenes in Count Orlok’s castle, the shots of the schooner and the Count’s unfortunate resemblance to Mr Bean as he scampered hither and thither holding his coffin! Most impressive was the work done on production design with some staggering make-up, costumes and set-pieces.
Introduction to Production this week was all about considering what makes a good story. We watched a number of short films and afterwards simply questioned whether it was an interesting, worthwhile and compelling story. We have done essentially the same thing in almost all the other classes but it is very useful to approach this from a producing point of view and think whether a story is worth telling.
This week seemed to be dominated by opera. I had already organised to go and see the first performance with my dad on Friday night, before agreeing to shoot it which then of course required going to see it on Wednesday, and filming it on Thursday. So after seeing it three nights in a row I was officially opera-ed out (although it was very good) and ready to get back to good old films!
We learnt the basics of three-point lighting with Ray in the afternoon and were left to experiment ourselves with different set-ups which was both enjoyable and encouraging.
A unique and interesting exercise took up the bulk of our Screenwriting class on Tuesday. In essence a glorified version of the party game ‘Consequences’, it involved filling in one piece of information on twelve different story outlines and passing them on so that everyone was contributing to every story. What this did very well was highlight the importance of having a clear, strong internal character need or emotional flaw (i.e. theme) and a unique but useable external character goal. If these are well defined and interesting the rest of the story should flow relatively easily.
At lunchtime on Wednesday we had our first Production meeting highlighting the exciting plans for DFTV and TPA. All we really need is a fresh, inspiring idea for a short but challenging project that we could join forces to work on and allow some talent from both courses to collide. I’m still thinking…
Andy gave us a very detailed deconstruction of Coronation Street which was very enlightening as to how a miniature world is kept alive over such a period of time. What with Richard’s influence it’s rather easy to forget that there are other types of writing than film; and obviously writing for soaps (or Serial Drama) is very different.
We had a quick look at using Moodle, with Andy on Thursday morning and were officially given our assignment. I’m not much of a fan of Virtual Learning Environments, I’d much prefer to sit down and chat face-to-face but I suppose it is something I should make an effort to adapt to. We continued our classes on The History of Cinema by analysing the ‘Odessa Step Sequence’ in Battleship Potemkin and what amazed me most was how much I hadn’t noticed of how good the editing was on my first viewing simply because it is so similar to todays accepted method; a testament to Russian cinema of that time.
Later I had a tutorial with Adam about my TV Drama idea. All I really needed to know was; is it worth developing? I got the answer to that and much more so I can go ahead with confidence and try to make something of it.
Nosferatu, my first vampire film and my first taste of 1920s German cinema, was actually quite good fun. After all the warnings it turned out to be rather tame and, rather disappointingly, not scary. It seems to be a recurring problem with silent films that the score, towards the end, becomes wearying. Nosferatu was no exception and at one point I thought I would go mad because the score was so piercing and repetitive. Nevertheless there were some parts I enjoyed very much; like the scenes in Count Orlok’s castle, the shots of the schooner and the Count’s unfortunate resemblance to Mr Bean as he scampered hither and thither holding his coffin! Most impressive was the work done on production design with some staggering make-up, costumes and set-pieces.
Introduction to Production this week was all about considering what makes a good story. We watched a number of short films and afterwards simply questioned whether it was an interesting, worthwhile and compelling story. We have done essentially the same thing in almost all the other classes but it is very useful to approach this from a producing point of view and think whether a story is worth telling.
This week seemed to be dominated by opera. I had already organised to go and see the first performance with my dad on Friday night, before agreeing to shoot it which then of course required going to see it on Wednesday, and filming it on Thursday. So after seeing it three nights in a row I was officially opera-ed out (although it was very good) and ready to get back to good old films!
Saturday, 17 January 2009
Week 1 - Tasting Term Two
We really hit the ground running this term. No classes on Monday.
Tuesday was intense. A full-speed action-packed introduction to lights with Ray. It’s all pretty much new to me but I grasped the basics fairly easily. Lighting is where it starts becoming much more impressive and professional, whilst, of course, becoming a huge amount more complicated and time-consuming.
Screenwriting has been newly allocated to Tuesday afternoons and I find this more challenging. Somehow I can think and concentrate better in the mornings as a general rule and it has to be said Richard’s classes are always among the most strenuous. However, this time it was a bit more relaxed than normal as we were recapping on last term. We came up with a story, as a class, in the last twenty minutes and I was pleasantly surprised with the result. Sometimes writing seems so easy. The truth is: writing is easy, good writing is fiendishly difficult.
Wednesday afternoon saw us discussing television with Andy, once again, and more specifically ‘Appointment’, ‘Family’ and ‘Event’ viewing. We watched the Doctor Who episode Rose which was the very first of the new series, originally broadcast on BBC One on 26 March 2005. Incidentally I had not seen any complete episodes of the new series up to this point (shocking, I know) but I had seen some from the older series’. So I got the same experience that I’m sure many fans were going through when they first saw that episode. What struck me most was the action-packed, fast-moving, humorous and even childish (a burping wheelie bin!) tone of the new series. I seem to remember the older ones being slower, more serious and a lot scarier. I like the new style, I enjoyed the episode and I am now, I fear, dangerously close to becoming hooked on Series Four… and about time too!
I am genuinely pleased that we have started studying the history of cinema. I know very little history and yet I just love learning about it. As cinema is my passion I get double the enjoyment when studying its history. I can tell Andy enjoys teaching it also and so I look forward to the rest of this term. The birth of cinema is perhaps the most fascinating part and that is what we covered on Thursday morning.
A nine o’clock start! “It’s ludicrous,” I thought until I realised that school started then and therefore I’ve been starting at that time most of my life. It was quite nice to be going to work at the same time as everyone else for a change. We made a start on the promised silent Russian cinema by watching Battleship Potemkin. I couldn’t find any significant difference between the editing displayed in this film and editing in today’s films. Suffice it to say, it was well ahead of its time. The soundtrack proved to be somewhat wearying because it was more monotonous than we are used to but the story (although not entirely clear at some points) captivated me and held me to the end despite my ignorance with regards to the Russian Revolution. It is, I believe, by today’s standards a good film and therefore I can hardly imagine how amazing it must have been in 1925.
Finally we had our first class of a new module: Introduction to Production (has quite a ring to it!) with Abigail Howkins. Most of what she said seemed common sense to me but I look forward to discovering the secrets of that great mystery: what do producers actually do? Producing is something I can really see myself doing actually, and I’m keen to give it a go but I’m not sure if I really want to specialise in it. I feel more at home on the creative side of things. Anyway there’s plenty of time to decide, this is, after all, only the first week of Term 2 and I’m sure there’s lots of fun to be had in the coming weeks!
Tuesday was intense. A full-speed action-packed introduction to lights with Ray. It’s all pretty much new to me but I grasped the basics fairly easily. Lighting is where it starts becoming much more impressive and professional, whilst, of course, becoming a huge amount more complicated and time-consuming.
Screenwriting has been newly allocated to Tuesday afternoons and I find this more challenging. Somehow I can think and concentrate better in the mornings as a general rule and it has to be said Richard’s classes are always among the most strenuous. However, this time it was a bit more relaxed than normal as we were recapping on last term. We came up with a story, as a class, in the last twenty minutes and I was pleasantly surprised with the result. Sometimes writing seems so easy. The truth is: writing is easy, good writing is fiendishly difficult.
Wednesday afternoon saw us discussing television with Andy, once again, and more specifically ‘Appointment’, ‘Family’ and ‘Event’ viewing. We watched the Doctor Who episode Rose which was the very first of the new series, originally broadcast on BBC One on 26 March 2005. Incidentally I had not seen any complete episodes of the new series up to this point (shocking, I know) but I had seen some from the older series’. So I got the same experience that I’m sure many fans were going through when they first saw that episode. What struck me most was the action-packed, fast-moving, humorous and even childish (a burping wheelie bin!) tone of the new series. I seem to remember the older ones being slower, more serious and a lot scarier. I like the new style, I enjoyed the episode and I am now, I fear, dangerously close to becoming hooked on Series Four… and about time too!
I am genuinely pleased that we have started studying the history of cinema. I know very little history and yet I just love learning about it. As cinema is my passion I get double the enjoyment when studying its history. I can tell Andy enjoys teaching it also and so I look forward to the rest of this term. The birth of cinema is perhaps the most fascinating part and that is what we covered on Thursday morning.
A nine o’clock start! “It’s ludicrous,” I thought until I realised that school started then and therefore I’ve been starting at that time most of my life. It was quite nice to be going to work at the same time as everyone else for a change. We made a start on the promised silent Russian cinema by watching Battleship Potemkin. I couldn’t find any significant difference between the editing displayed in this film and editing in today’s films. Suffice it to say, it was well ahead of its time. The soundtrack proved to be somewhat wearying because it was more monotonous than we are used to but the story (although not entirely clear at some points) captivated me and held me to the end despite my ignorance with regards to the Russian Revolution. It is, I believe, by today’s standards a good film and therefore I can hardly imagine how amazing it must have been in 1925.
Finally we had our first class of a new module: Introduction to Production (has quite a ring to it!) with Abigail Howkins. Most of what she said seemed common sense to me but I look forward to discovering the secrets of that great mystery: what do producers actually do? Producing is something I can really see myself doing actually, and I’m keen to give it a go but I’m not sure if I really want to specialise in it. I feel more at home on the creative side of things. Anyway there’s plenty of time to decide, this is, after all, only the first week of Term 2 and I’m sure there’s lots of fun to be had in the coming weeks!
Thursday, 15 January 2009
Coronation Street
Broadcast on Mon 5th Jan 2009, this episode focusses primarily on Steve. He is debating whether to leave Michelle for Becky, when he discovers Lloyd and his mother are together. This results in him not meeting up with Becky as he proposed.
Also, Dev is taken by surprise when he learns Tara's plans and Joe seems to be in some financial trouble. A snippet of Peter's problems are seen also as he claims he is not an alcoholic. Further complications arise when Molly recieves an urgent phone call.
The episode ends with Becky's disappointment, as she supposes she has been decieved by Steve.
Also, Dev is taken by surprise when he learns Tara's plans and Joe seems to be in some financial trouble. A snippet of Peter's problems are seen also as he claims he is not an alcoholic. Further complications arise when Molly recieves an urgent phone call.
The episode ends with Becky's disappointment, as she supposes she has been decieved by Steve.
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